Beatrice Dillon & Hideki Umezawa - Basho / Still Forms Beatrice Dillon & Hideki Umezawa
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Usually ready in 2-4 days
The title of this work by Beatrice Dillon is taken from the notion of ‘basho’,developed by Kitarō Nishida, Japanese philosopher and father of the Kyoto school.
Kitaro’s ‘basho’ (場) refers to a fundamental ‘place’ or ‘field’ where things exist and interact. Not just a physical location, but a more abstract space where all
experiences, thoughts, and phenomena are interconnected. In Nishida’s philosophy, ‘basho’ is a dynamic, living ground where subject and object, self and
world, are not separate but mutually interrelated. Inspired by this, Beatrice Dillon develops a music of a complex nature, that never ceases to constitute itself
as pure presentation, constantly re-exposed, reactivating at every moment both the object of attention and the listener who aims at it. Borrowing both its
sounds(which have no real origin or internal space) and its idioms from electronic music, Dillon’s Basho is a diversion, a rearrangement that places us,
through elements that are familiar but suddenly alien, back into a field of pure listening.
Still Forms, by Japanese composer Hideki Umezawa, draws its sound material from the exploration of Baschet sound structures, instruments developed by
the brothers Bernard and François Baschet in the 1950s that have since been highly prized by the world of contemporary musical creation. These structures
were presented at the 1970 Osaka World’s Fair, and some remained in Japan. Through various recording sessions, in Japan but also in France, Hideki
Umezawa re-explores the fascinating sonic potential of these atypical instruments to include them in a highly mastered composition where sounds of
acoustic origin and electronic textures respond to each other, as in the distorted reflection of the resonators of the Baschet structures. Still Forms is thus a
tribute to, and a journey through time through, the incredible power of inspiration and invention of these sound structures, but also a sharpened proposal of
contemporary electroacoustic composition that knows how to renew itself without denying its origins.
Pickup Availability
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Record Corner
Pickup available, usually ready in 2-4 daysRecord Corner
Pound Lane
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