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Domino Records

Pete Shelley - XL·1 Pete Shelley

£29.99
Tax included. Shipping calculated at checkout.
Genre: Rock.
Format
Condition: Brand New
Release date: Jun 06, 2025
Catalogue number: REWIGLP173
Barcode: 0887830017312
Condition: Brand New
Release date: Jun 06, 2025
Catalogue number: REWIGCD173
Barcode: 0887830017329
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Domino announce the re-release of Pete Shelley’s first two solo albums, ‘Homosapien’ and ‘XL-1’ - the first time both albums
have been reissued individually as standalone releases since they were included as part of a box set by Genetic Records in
2018.

Both albums come housed in gatefold sleeves featuring the original fully restored artwork, include an extra disc featuring Bsides,
dubs and extended mixes and contain inserts featuring new photos and imagery and extensive sleeve notes from the
acclaimed writer Clinton Heylin.

Recorded in close collaboration with renowned producer Martin Rushent, both albums saw Shelley embrace a wider musical
palate post-Buzzcocks and work with electronic instrumentation and synthesisers - ‘Homosapien’ in particular is seen as a
massively influential and pioneering record and widely regarded as a musical signpost for the work Rushent did with The
Human League on ‘Dare’ a few months later. Banned for homophobic reasons at the time by BBC radio, ‘Homosapien’ would
become a gay club anthem and the queer element a hugely important part of both Pete’s personal and musical life, as
showcased in both these albums.

Pete Shelley's solo debut, ‘Homosapien’, released on 15th January 1982, was a long time in the making, drawing on ideas from
before his time with Buzzcocks. Many of the songs, including the title track, were written as early as 1973, when Pete first
began experimenting with home recording. His early bands, like Jets of Air, were influenced by glam and experimental sounds,
laying the groundwork for his later solo work. Despite his involvement in Buzzcocks, Pete’s desire to explore electronic music
and more experimental styles grew, especially after seeing bands like Joy Division and Gang of Four garner critical praise.

By 1981, the tension within Buzzcocks was evident, with Pete feeling creatively stifled. The band was struggling with money
issues, and Pete's desire to explore new musical directions was clashing with the band's more traditional punk style. He had
already started working on solo material, including early recordings with Martin Rushent, who had encouraged Pete to pursue a
solo project, and ‘Homosapien’ took shape quickly, with Pete playing most instruments himself and using synthesizers to craft a
sound far removed from Buzzcocks' punk roots. Released through Rushent's Genetic Records, ‘Homosapien’ showcased
Pete's shift toward electronic pop, blending elements of glam and avant-garde music. The title track, with its provocative lyrics,
garnered attention, though some of Pete’s personal themes sparked controversy. Despite initial resistance from his former label
EMI, ‘Homosapien’ found success, particularly in the US with Arista, where tracks like ‘In Love with Somebody Else’ were
included in place of some earlier demos. The album marked a significant departure from Pete’s past, but it also opened the
door to his next creative phase.

In a 1983 interview, Pete Shelley discussed his shift away from the past, particularly the success of Buzzcocks, towards more
introspective, experimental music. With ‘Homosapien’, Shelley embraced an electro-pop sound, largely overshadowed by The
Human League’s ‘Dare’, despite ‘Homosapien’ being recorded first. Shelley explained his lack of interest in proving anything to
the public, focusing instead on creating songs that resonate deeply, without adhering to commercial expectations. Critics
compared ‘Homosapien’ to the works of The Human League and Heaven 17, but Shelley’s focus was on creating timeless,
personal music.

Shelley wasn’t interested in the ‘pop rat race’ and felt punk had lost its edge and saw himself as a lone figure pushing the
boundaries of the genre. By 1982, he was already looking ahead, blending influences from artists like Dexys and Roxy Music,
while exploring new musical territory, including multi-media and computer-generated experiences.

On ‘XL-1’, released in May 1983, Shelley moved further into experimental sounds, utilizing new technology and creating songs
in the studio rather than demoing them. He even incorporated video and graphic elements into the album, embracing both dub
mixes and cutting-edge music production. Despite the challenges,’ XL-1’ was another bold step into the future, driven by
Shelley's ambition to keep pushing musical boundaries and experimenting with new sounds and ideas.

Track List:
Telephone Operator
If You Ask Me (I Won't Say No)
What Was Heaven?
You Know Better Than I know
Twilight
(Millions Of People) No One Like You
Many A Time
I Just Wanna Touch
You And I
XL1
Many A Time (Dub)
Telephone Operator/I Just Wanna Touch/If
You Ask Me (I Won’t Say No)/(Millions of People (No One Like You) (Dub)
Format

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